“The Classical Tradition reborn”

“The Classical Tradition reborn” Please respond to the following, using sources under the Explore heading as the basis of your response:
• Identify two (2) classical Greek and / or Roman figures or qualities in any work by Michelangelo or by Raphael. Discuss the primary reasons why popes and other patrons might allow such trappings of ancient pagan culture within a Christian society, even in sacred contexts. Provide a rationale for your response. Describe any modern structure or sculpture or work of art where you can identify either ancient pagan images or features, or a mix of elements from different cultures and periods.
Explore
Michelangelo and Raphael: The Classical Tradition Reborn
• Chapter 15 (pp. 494-5, 505-513), Stylistic features and imagery from ancient classical art and myth; review Week 8 Music Folder
• Sistine Chapel tour at http://smarthistory.khanacademy.org/sistine-chapel-ceiling.html
• Sistine Chapel information at http://www.wga.hu/frames-e.html?/html/m/michelan/3sistina/index.html
• Sistine Chapel theory at http://karlzipser.com/michelangelo.html

Week 8 Discussion Option B
“Van Eyck and Analyzing Art in the Northern Renaissance” Please respond to the following, using sources under the Explore heading as the basis of your response:
• Explain whether you agree with the interpretation of either Sayre or Koster of Van Eyck’s Arnolfini double portrait, identifying the most persuasive part of that interpretation. Describe two (2) symbolic elements of the painting and any other features that stand out to you. Pretend you are having a portrait done of you and a significant other; describe at least four (4) symbolic elements that you might include in the painting, and explain why.
Explore
Jan Van Eyck’s Arnolfini Double Portrait
• Henry Sayre’s interpretation in Chapter 16, (pp. 548-551, Figs. 16.7-16.8); review Week 8 Music Folder
• Margaret Koster’s interpretation at